In this series icons of the history of art are reinterpreted by Zino through the main tool of contemporary society: the screen filter, whether it be that of the smartphone or the TV. This procedure leads to the deformation of the original, which, while retaining its distinctive features, is emptied of its deeper meanings to return only the matrix of the image, that superficial imprint that allows its reproducibility while neglecting its uniqueness.

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Zino / Luigi Franchi

Luigi Franchi, aka Zino, was born in Teramo in 1973. He graduated in History of Art at the University of Bologna in the 90s. After graduating, he…

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